"Yeah, I was sitting on my couch watching it and getting more ticked off by the second."
Do you realize the last SIXTEEN movies
I've watched have been horror movies? 17 if you count David
Fincher's Gone Girl, which I saw by sneaking into the theater
in a lowered hat and a trenchcoat thanks to their oppressive “no
flesh eaters” policy. Ironically, Gone Girl was scarier
than all over those movies combined and multiplied by ten, but we'll
get to that when it comes out on home video. Regardless, I am BURNT
THE HELL OUT on horror so it's time for some variety on this site.
As a reward to myself for enduring a month of nothing but
Hellraiser movies, I'm going to review a good movie. At least
I hope it's good, it sure looked amazing from the trailer I saw. The
movie in question is The Signal, the second feature film from
writer/director William Eubank. Like a lot of directors, he got his
big break making music videos and transitioned it into a film career
where he has become known for having a very distinct visual style.
I don't really know anything about the
film's plot, but that's undeniably the best way to enter an abstract
looking story like this one promises to be. Let's try and erase the
Godawful atrocity that was Hellraiser: Revelations out of our eyes and minds, because it's
time for A Ghoul Versus William Eubank's The Signal!
