It may be hard to believe, but in the
1980s Jay Leno was one of the top comedians in the world, carving his
path to fame with his insightful and pretty damn edgy material. His
increasing popularity led to him becoming the guest host for NBC's
The Tonight Show in 1987, filling in for the legendary Johnny
Carson in a highly coveted role. This led to him vastly toning down his
act to fit in with Carson's audience, and this led to his star rising
even higher as he now crossed over to numerous audiences. He scored a
huge Dortios endorsement deal in the late 80s, which was one of the
biggest advertising campaigns at the time so he was EVERYWHERE.
Naturally, the suits that run Hollywood
wanted to capitalize on him as much as possible so they went digging
and found an unfinished movie Leno had filmed in 1986 that ran out of
money on the very last day of shooting. Figuring that'd easily make a
quick buck, they turfed it out to some poor interns for editing and
post production and unleashed it upon the world in 1989. Jay
himself has gone on record numerous times about his dislike for the
movie, going as far to call it “horrible”.
Does Jay Leno deliver a convincing
performance as an action star? Is this a lost gem of the buddy cop
genre? Or is this a stereotype filled horror show that paved the way
for the Rush Hour franchise? Let's find out with A Ghoul
Versus Jay Leno's Collision Course!
We open with Leno driving down the
streets of Detroit in his 1959 Corvette, listening to the Eightiest
Song That Ever Eightied. At a stoplight, a muscle car pulls up to
him with its passengers blasting some “cool” music on their
radio. Leno tries to tune his radio to the same station but can't
find it. He asks them which station they're listening to, and they
tell him he can't get it because it's a “black station” and burst
out laughing. Cos they're
black! ….that's funny, right?
At least I think that's what they said,
the director of this movie thought it'd be a great idea to place the
microphone into the car's engine block to record sound. I'll do my
best to transcribe the rest of this scene:
“Tesfjskg skdjgsdka sdj frequency?”
“Rcvdsjd jsidgsdk!”“Hey, how about a slice of that pizza?” (they're eating pizza in the muscle car)
"Wsfdjgsdjk expensive gsktjdf sggsk!”
“Tell ya what, why don't I sdjksj sdkjgseirj sidjgkd?”
“Vfsdkr skjsdft for?”
“Ah, I'll put up twenty bucks! Ten bucks for sdkgjsd jgkdsj and ten bucks for sdklg dpfdrots there!”
“Psdtdstrwio dtoidtjos!”
“Yeah, but you gotta spot me a couple of lengths here. Tjdsklgjsd skjgsdi js-”
“Qtjkg dkg jiesi!”
“Cjbfslk rejsgs lkdsf!”
All this means they're racing for the
pizza and some money, I guess? I am so not joking about this being
impossible to understand. The race is broken up by a cop car who
pulls over Leno. He GETS OUT OF THE CAR and walks up
to the police, who promptly don't pull out their billy clubs and beat
him to death. Not even five minutes into this movie yet and my
suspension of disbelief is already shattered.
He reveals to the cops he's an
undercover detective and starts going off on them for ruining a bust
he's been working on for six months. At least I'm pretty sure that's
what he said. Leno has this habit when his character gets excited, he
starts talking faster than that Micro Machines guy on speed. Leno threatens to report the officers,
then notices one of them just happens to be an attractive young woman
after checking out her body with all the class of a sex offender. He takes her phone number, and suddenly
she's all smiles and into him. Sigh, this is gonna be a long movie.
We cut to the Tokyo Police Industrial Espionage Division in Japan,
which I highly question if it's really a thing. We meet our co-star,
Pat Morita- Waitaminute, what's he doing back in Japan?! Doesn't he
know Sato is going to try to kill him now that he's returned?
You ever notice how messed up the
Karate Kid II is? It's like Sato and Miyagi were best friends
their whole life until Miyagi tried to marry the woman that Sato was
arranged-to-be married to. Miyagi and the woman were deeply in love,
whereas Sato didn't know her from Eve. But this dishonoured Sato, so
he challenges Miyagi to a fight to the death. Miyagi leaves the
country rather than fight his best friend. Decades go by, and Sato
becomes this massive multi-billionaire who owns like half of Japan.
But the SECOND Miyagi returns Sato's ready to give all that up and
try to kill him over a woman HE DIDN'T EVEN END UP MARRYING! Oh, hold on. I'm supposed to be
reviewing Collision Course, aren't I? Sorry, the first six
minutes are so bad I instantly started thinking about better movies.
Morita meets with his commander, who is
played by Soon-Tek Oh. He's one of those “Hey, It's That Guy!”
actors whom I most remember from a made for TV movie called The
Master. It was actually made from the first two episodes of a TV
show of the same name, starring Lee Van Cleef as a FREAKING NINJA and
Timothy Van Patten- ah dammit, I'm doing it again.
So Morita's commander introduces him to
the head of Kodama Motors, who wants the Espionage Division to find
their chief engineer Oshima, who has stolen a “top secret turbo
charger prototype” and fled to Detroit. The executive asks Morita how his
English is, and he replies it's “adequate”. Morita tries to crack
a joke about how he wishes he was going to Hawaii instead of Detroit,
and- no wait, that's the entire joke. Morita is kind of a bumbling
idiot in this movie, so I'm wondering if Soon-Tek Oh isn't in on the
theft and is having Morita put on the case because he knows he won't
solve it.
Speaking of Oshima, he arrives at a
junkyard in Detroit to meet with someone named Madras but instead
walks into an ambush led by Tom Noonan and Randall Cobb. While Cobb
is playing a stupid thug for the millionth time in his career, Noonan
is WAY TOO GOOD to be in this movie. The
same year he played Frances Dollarhyde in the excellent Manhunter
for crying out loud!
Cobb knocks out Oshima with the Most
Unconvincing Headbutt Ever Captured on Camera. He takes his belt off
and Oh God what kind of movie is this?! Oh wait, he's just using his
belt to tie up Oshima's legs so they can hang him from a crane. They
threaten to drop him unless he tells them where the prototype is, but
he dies of the Most Unconvincing Heart Attack Ever Captured on
Camera. Their boss Madras appears, telling them
to do whatever they can to find the prototype. Madras also
might be John Oates of Hall And Oates. Guess that “Out of Touch”
money couldn't last forever.
The idiots put Oshima's body into a car
crusher to get rid of it, despite the fact there's a nice lake right
next to them. Naturally this alerts the guard on duty, but Noonan
shoots him with a... flare gun? No, that's a gun. He must have modded
it to fire mini rockets or something. Either
that or the guard was trying to transform into Captain Marvel before
he got shot. If you've been paying attention, Oates
and his crew just killed two men over a freaking CAR PART.
Compelling!
Morita arrives in Detroit, hailing a
taxi to go to the Riverside Hotel to see a “friend of his”. I was
really hoping he was kidding about his English being adequate, but he
was lying. It's Godawful. I'm just going to be honest here, half this
movie is impossible to understand between his “I Don't Give A DAMN
Just Give Me My Paycheck” acting and horrible audio tracking. I was
just complaining about how hard the dialogue in the last two Prophecy movies was to understand, this makes
them look like Glengarry Glen Ross in comparison.
We catch up to Leno and his partner
Ernie Hudson- Ernie Hudson's in this too?! From Ghostbusters to this,
really? That is just sad. What was everyone else from that movie up
to in 1986?
-Bill
Murray, Little Shop of Horrors.
YIKES. Okay, maybe 1986 was a cursed year for great actors.
-Dan
Aykroyd, working on getting the AWESOME Ghostbusters
cartoon out. That's more like it.-Harold Ramis, helping to write Back to School. Hilarious movie, we're doing better now.
-Sigourney Weaver, ALIENS. BOOM HEADSHOT!
Leno and Hudson break into the
apartment of a wanted criminal, using a battering ram to bust down
the door. They find a lady inside watching three TVs, causing Leno to
quip they must be a Nielsen family. In all fairness, that's same joke
I would have made. The criminal pulls a shotgun on Leno,
Hudson pulling his gun on the criminal for a little face off. Leno
tells Hudson to show him the warrant, but Hudson reveals he forgot
it. The guy starts laughing and surrenders since this will be a nice
lawsuit for it, so he lets Leno handcuff him. As Leno does, they show
him they had the warrant all along. HA! That was actually clever, so
I'm going to assume it was all Hudson's idea. Leno's police chief arrives on the
scene, played by the eternally typecast John Hancock as Angry Black
Police Chief.
Hancock tells Leno about the dead guard
at the junkyard, who was Leno's friend Mack. He warns Leno
not to get involved so Leno immediately gets involved. Leno and
Hudson go to see Mack's body. The officer on duty tells them he was
shot with a “Gyrojet Rocket Gun”, which is a 100% real thing it
turns out. They actually do fire mini rockets, which is BAD ASS. Another cop asks if Leno “saw the
Jap”- Oh Good God. Yeah, get ready for this folks. This movie is
about as progressive as a 1940s Propaganda Poster when it comes to
the Japanese. From here on out, every chance they can get to use a
racial slur directed against the Japanese they cram it in there. This
is absolutely vile, especially by 1986 when people REALLY knew
better. Or should have...
Leno and Hudson look at Oshima's body,
Leno finding a key card for the Riverside Hotel, which is where our
next scene takes place. Morita uses some kind of electronic device to
hack into the key card protected lock on Oshima's room, and here we
have one of the biggest plot holes in the film. Not why Morita's
character is all of a sudden intelligent, but how did he know where
Oshima was staying? He comes to Detroit and immediately knows where
he is. I know it's stupid to bitch about any kind of logic in a
Straight to Video movie starring freaking Jay Leno, but this really
bugged me.
Oshima's room is trashed, as the idiots
must have already been here. Morita finds a roll of film in a chair
that he pockets, as well as finding the blueprints for the
turbocharger just lying on the floor. You think that would have been
good enough for the idiots as they could just use these to build a
new one, but then I guess we wouldn't have a movie if they thought
this way.
Morita hides when he hears Leno
entering. Leno finds nothing, faking leaving the room to draw Morita
out. Dammit, Leno's character is pretty smart in this movie. Leno
draws his gun on Morita and says “Hey hey, we're the Monkees!”
Uh... okay? Actually I did some research, and 1986 was the twentieth
anniversary of the Monkees and they were EVERYWHERE at the time. They
had a hugely popular reunion tour, their music was back on the
charts, and their TV show was getting rerun day and night, so this
joke probably was funny back then. Well, funnier at least.
But not now. This is why you don't put
pop culture references in your movie kids, no one's going to get them
years later. Feel free to insert a TOTALLY
unrelated photo of Mike Myers here if you'd like. Leno tries to handcuff Morita but he
escapes and the chase scene is on! Leno, once again, displays how
pretty damn smart he is and outwits Morita to capture him. I really
wanted to go into this seeing Leno acting as stupid as a Kevin James
movie, but he's really disappointing me by being a very capable cop.
I mean he's still sexist and racist as all hell, but still...
They arrive at the police station so
Leno can process Morita, and I'm left wondering why hasn't Morita
just told Leno he's a freaking cop? For that matter, why wouldn't
Morita's boss have called Detroit to give them a heads up? Maybe
Soon-Tek Oh isn't a criminal mastermind and is just stupid. Hmm...
based off what we've seen so far I'm going with that.
Hancock yells at Leno for not listening
to him while Dingman interrogates Morita. Probably sick and tired of
the nonstop Asian bashing going on here, Morita finally reveals he's
a cop just to get them to shut up. Oh calls to speak with Morita, as they
talk on the phone Leno uses this as an excuse to get in on the oh so
hilarious racist jokes everyone else has been making. He pretends
they're talking about Godzilla attacking the city. God, I wish
Godzilla was in this movie. Although
by the look of Detroit, maybe he already was.
Oh orders Morita back to Japan for
being a screw up, but Morita pretends they have a bad connection and
hangs up. Morita tells the cops Oshima embezzled money for a business
and he's here to make him return it instead of telling them the
truth. Why? I guess because Oh told him to keep it a secret, but I
don't know... this is one of those movies where if they used common
sense they could have avoided so many problems.
Leno gets fed up with all this and
leaves the office. He talks to Hudson, telling him he doesn't believe
Morita's story because what man with a ton of stolen money would come
to Detroit for fun? DEFINITELY got to give Leno that one. Hudson does
some research on Oshima while Leno tails Morita. Leno gets to a stalkin', following
Morita to a one hour photo booth where Morita has that film developed
that he found earlier. Leno tries to hit on the young woman working
the counter, but she SHUTS HIS ASS DOWN. Best
character in the movie, hands down. He tries to get the photos but they
won't be ready for an hour. We then learn Leno isn't that great of a
cop after all, as he SUCKS at stalking. His idea of following someone
is walking right behind them in plain sight apparently. Morita is
easily able to lose him.
We cut to a press conference, where car
mogul Derek Jarryd is announcing his latest car: the Starburst. He
says it's going to make his company in the world thanks to a “top
secret discovery”. Jarryd is played by Dennis Holahan, who was the
banker in the movie Scarface. The whole time he's on screen I
find myself wishing this was Godzilla Vs. Scarface. Or maybe
Scarface 2: Enter Godzilla, where Tony would have survived the
shootout at the end and gone to get revenge on Sosa. It'd be worth it
just for Tony to go “Say hello to my little friend!” and have
Godzilla pop up and step on Sosa.
Back to the movie, Jarryd goes to meet
with Oates. He's upset that Oshima was killed and says their
partnership is over, but Oates pulls a gun on him and says that HE'S
in charge now. He has Noonan stick very close to Jarryd to make sure
he doesn't change his mind. I just can't get into any of this.
All of this is over a car part! Not a NOC List or microfilm or an
alien artifact, but something to make cars go vroom vroom faster. Morita picks the film up, Leno hiding
there to follow him again. This is kind of weird because wouldn't
have Leno looked at the film when it was ready? It's like this movie
has the pieces but just can't put them together right. Morita breaks into Jarryd Motors thanks
to Jarryd hiring his security guards from The Two Dumb Guys Company.
Naturally, Morita discovers the
Sunburst's engine matches that of the blueprints he found earlier.
What the film doesn't tells us is how Morita knew Jarryd Motors was
the place to go. Sure, he could have seen the press conference but
once again it comes off as him knowing stuff he really should have no
way of knowing. Leno arrives to arrest him, thinking
he's a spy of some sort. Morita offers to help him find the man who
killed Mack, but Leno ignores this. On their way back to the police
station AGAIN, they witness a robbery. Morita taking out the mugger
convinces Leno to give him a chance.
Leno takes Morita back to his
apartment, which is an absolute pit. They proceed to get hammered on
whiskey and I'm HORRIFIED at Morita's acting in this scene. This is
the same man who was rightfully nominated for Best Supporting Actor
for the Karate Kid? Speaking of which, they blatantly rip off
his “Banzai!” toast scene from that movie only with Leno standing
in for Daniel-san. Which is actually an improvement I suppose,
because it takes away Morita giving booze to a minor.
It's funny though, in that movie Morita
was drunk but you could still understand him. Here, he might as well
be speaking in tongues. Maybe he was so depressed that he was in this
movie he got drunk for realsies, I don't know. We soon find out Leno is getting him
drunk on purpose so he'll tell him the truth about what he's doing in
Detroit, even taking out a tape recorder to tape him. But what good
is that going to do when Morita is all “Mhkfdjpidf dfjsspv jhdfpa
mnnsoojsd!” However, this is pointless as Morita passes out face
first into an old KFC box, the soundtrack playing a “GONG!” sound
effect as he does. This is the worst movie I've reviewed yet, Man Of Steel hand in your crown. Well, maybe not... let's go with that was the worst SCENE I've
reviewed yet. It's sad when Leno isn't even the WORST ACTOR in a scene.
The next morning Leno wakes up to his
apartment now completely spotless, finding Morita washing his dishes.
He tells Leno he wants to go to an auto show. As they drive, we get
the movie's most WTF scene. They're driving through a particularly
run down neighbourhood of Detroit, Leno telling Morita it used to be
really nice until Japan started selling “tin can cars” and taking
away the jobs here. Morita laughs, saying this is why Leno doesn't
like him because he blames all the Japanese people for the state of
Detroit. Leno replies with:
“I don't blame all Japanese, I just
blame YOU.”
“Huh?”“Blame yourself for getting fat and letting it happen.”
“What?”
End scene. Not played for comedy at
all. I don't even know what to say here, the only thing I can think
is this was one of the scenes they ran out of money for and couldn't
finish, so they just had to edit together whatever they had. Maybe
Leno was still drunk from the previous scene, all I know is I really
really want this to be over already.
At the auto show, Leno sees a model and
tries to hit on her because that's all he knows how to do. Like my
hero Film Girl, she also blows Leno off. This is funny, but it really
throws the scene at the beginning of the movie into sharp contrast.
The cop Leno hit on should have ALSO rejected him, because it creates
a funny running gag of Leno always getting shut down by all the women
he hits on, and then at the end when he hits on one she says yes and
he's all surprised. But you can't really expect this movie to do the
basics of anything right I suppose.
Morita talks to Jarryd, saying Oshima
was his business partner. Jarryd gets nervous and plays dumb as to
who that is, Noonan stepping in to talk to Morita. Morita introduces
himself as “Dwayne Johnson” ...who
probably is in talks to star in a remake of this movie with Jet Li
co-starring. Morita leaves after sharing an awkward
handshake with Noonan, Leno telling him “nice going DWAYNE”
despite the fact he was nowhere near Morita to have heard him use
that name. Unless it's something they cooked up earlier and why am I
trying to rationalize this movie? Morita points out how out out of place
Noonan seems, so they follow him as he drives away. Of course since
it's Leno they follow RIGHT behind him. As they do, Leno calls the
police station to run Noonan's plates but they find he has no record
and only a P.O. Box address. Remember this for later.
They follow him to a bowling alley,
where everyone starts making racist jokes at Morita. You stay classy
Collision Course! We then go back to WTF Territory, as a group
of meathead looking bowlers start arguing with him about fair trade
and Japan flooding the market with underpriced microchips. What? I
think the joke here is we're supposed to laugh because the bowlers
look stupid and shouldn't be talking that smart, but I'm more
mystified by the fact they're holding Morita responsible for all the
actions of Japan.
But we're not done yet. Noonan and Cobb
appear, backed by a legion of cronies. They go to grab Morita, but
the bowlers stop them saying “every American should be an
ambassador of good will”. So what was with JUST being complete
racist assholes to Morita? Whatever the hell is going on here
leads to a massive fight set to another glorious Eighties tune. You
know the drill, a whole bunch of punching mixed with “funny”
slapstick that ends with Noonan escaping. Morita tells Leno he now
trusts him, and tells him everything. It's way way WAY too late for
any of us still watching to care, Pat.
Leno calls Hudson, who tells him Noonan
has a record so bad that he's done everything except “rape Bambi”.
He also gives him Noon's address... um, so how come earlier Noonan
had a clean record and no address? Was the cop Leno called earlier
too lazy to look stuff up so they just made something up? Or were the
screenwriters too depressed they were writing a Jay Leno buddy cop
movie they just didn't care?
They break into Noonan's house, finding
more guns in there than a Call of Duty game. Noonan arrives,
sees them inside and calls Oates for instructions, Oates tells him to
kill them. Searching the house, Morita finds the Gyrojet Gun used to
kill Mack. They look out the window and see Noonan aiming a rocket
launcher at them, which is pretty stupid because he likely could have
snuck in and killed them without blowing up his own house. But
this is an idiotic action movie, so... explosions!
Leno and Morita escape in time, Noonan
chasing after them with the legendary Shotgun of Infinite Ammo. They
engage in a firefight until Leno finally takes Noonan out with a
grenade Morita found in the house. We're a little over an hour into the
movie by this point, but it's felt like at least five. Days. This has
gone from “Jay Leno was in a movie?! LULZ I gotta see that!” to
“Wow, this is stupid” to “Wow, this is BAD” to “Call the
UN, we have a war crime going on here”.
Leno and Morita search Noonan's car,
finding his last call was to a free clinic. They go there, where they
find Oates is giving a press conference about him donating money to
the clinic for a new wing or something. Leno tells Morita that Oates
is one of the most famous people in Detroit, but not for what. Like
it matters. Leno walks up to Oates and calls him
out for being crooked, going into Busta Rhymes mode and yelling at
him in hyper speed. Oates has the cops drag Leno away, Leno oddly not
bothering to pull his badge out to stop them. He must have forgot he
was a cop. Back at the station, Hancock is REALLY pissed now.
How pissed is he? Oh, I bet you can guess. Yep, “turn in your
badge and gun”.
In the ONLY spot of the entire film I
actually made any kind of sound similar to a laugh, Leno doesn't turn
in his gun because he paid for it himself. Hancock quips “I doubt
it!”. R.I.P. John Hancock,
you were truly a master of your craft. But since he got rid of that cursed
badge, surely Leno will be free now to solve the case! Dingman
handcuffs Morita and takes him to a cell, but Leno slips him a
lockpick and he easily escapes. The two jump into Leno's Corvette and
take off, secretly being followed by Cobb. It's pretty bad when the
dumb thug is better at cop stuff than the actual cop.
They go to a club/bar/restaurant to get
something to eat. I guess they're in no hurry whatsoever and the cops
have no interest in capturing a man so just escaped custody, so it's
a great time to get some ribs! They FINALLY look at the photos Morita
had developed (I guess they did briefly glance at them in Leno's
apartment, but they were too busy getting drunk to care), finding
nothing of interest. The club has a live band, and they're
playing so loud it pretty much drowns out Leno and Morita's dialogue.
I commend the band for doing this, they probably read the shooting
script and knew they had to do everything in their power to try to
save the audience from having to endure another painful line reading
or racist joke.
Morita goes to dance with some of
Leno's friends because an Eighties movie without a pointless dance
scene is like cake without frosting. As Morita gets his groove on
with a couple of lovely young ladies, Leno nails down our next cliché
with the “hey I just noticed something that no one in the world
EVER would notice” moment as he notices something in one of the
photos links it to an auto shop in Detroit. Leno figures the
prototype has to be hidden in there, so they head there. This is a
strange scene as they break into the auto shop and the screen fades
to black.
It was the middle of the night when
they entered the shop, but in the next scene it's bright as day. Cobb
is waiting outside, calling his boss. The mechanic of the shop
enters, catching Leno and Morita searching the place. Maybe they were
just searching for like eight hours? Oates arrives with his
crew, and they're all heavily armed. The mechanic tells them Oshima
rented one of the shop's bays to work on his rental car, everyone
realizing that's where he must have hid the prototype.
Leno grabs one of Oates's goons,
telling them he'll shoot if they don't drop their guns. The thugs
look at each other and shrug, shooting their fellow thug multiple
times when they could have EASILY shot Leno instead. Leno and Morita escape on a motorcycle,
Morita making sure to put a helmet on Leno so we can't tell it's his
stunt double driving. This leads to a very lame chase scene topped
off with an Eighties song that tries its hardest to make the scene
seem more exciting, but it fails.
Our heroes... no, that's not
appropriate at all. Our stars make it to the rental shop first to
find the car, which has just been rented to a little old lady. They
jack the car from her just in time for Oates to arrive for ANOTHER
chase scene. Luckily for us, this one is cut
pretty short as Leno wrecks early on. He and Morita run down an
alley, Oates managing to shoot Leno in the leg to stop him. Oates
jumps back in his car and starts driving towards the two at full
speed. Leno, who can't stand, tells Morita to leave him and
run. Morita does just that, however he starts running TOWARDS Oates.
Oh no, they're not... they
wouldn't DARE...
Nope. They are. Ye Gods. Have you ever
seen the Chuck Norris movie Good Guys Wear Black? It's one of
his earlier movies, made way back in 1978 and oddly enough, also
features Soon-Tek Oh. It would have been a long forgotten
film, but it's managed to become legendary due to one specific scene:
Chuck Norris runs at a car driving towards him and does a FLYING KICK
THROUGH THE GODDAMN WINDSHIELD TO TAKE OUT THE DRIVER. This is so
freaking awesome in a “I know this is beyond logistically stupid
but I don't care because he just did a FLYING KICK THROUGH THE
GODDAMN WINDSHIELD OF A CAR!” kind of way. The
best kind of way, really.
So yeah. Morita does a flying kick
through the car to take out Oates. Here, he uses both feet so it's
like this awkward looking dropkick that's just nowhere near as cool
because it looks SO BAD. Oates's car gets hit in the back by
another car passing through the alley, Leno struggling to get up and
drag Morita out of the car before it explodes. Why does it explode?
COLLISION COURSE!
We FINALLY wrap this turkey up with
Leno seeing Morita off at the airport. The blonde cop from the
beginning shows up and gives Leno a bag, saying she could get in a
lot of trouble for this. He assures her she won't, telling her to go
back to the house and he'll call her later. Yikes. He hands Morita
the bag and OH WOW it's the turbocharger. I NEVER EVER saw that
coming! Was M. Night Shymalan one of the screenwriters for this
movie? Have I used that joke yet? Morita goes to board his plane, Leno
saying “see ya later, pal!” to which Morita replies “sayonara,
my friend” and we end in a freeze frame shot of them both smiling.
Awwww.....
Cue the credits Sweet Lord, cue the
credits! Deniece Williams of Footloose fame gives us the
closing song, “Back Together (Theme From Collision Course)”.
I don't care how morbidly curious you
are about seeing Jay Leno in an action movie, DO NOT WATCH THIS! I don't even have anything to say after enduring it, I do believe I covered all of my thoughts on this movie in the actual review. There's nothing to redeem this movie, absolutely nothing. Not even
Pat Morita ripping off Chuck Norris or... yeah, absolutely nothing.
Until I review Transformers, consider this my textbook
definition for "lowest common denominator".
No comments:
Post a Comment